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Ducktails, Drive-ins, and Broken Hearts

An Unsweetened Look at '50s Music

ebook
1 of 1 copy available
1 of 1 copy available

An unflinching look at the triumphs and tragedies of '50s rock and roll, from the biggest stars, like Chuck Berry and Carl Perkins, to those who barely grabbed the spotlight.

They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market.

Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, Ducktails, Drive-Ins, and Broken Hearts offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era.

How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had-and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music.

In the words of Jerry Phillips, son of Sun Records founder, Sam Phillips, "Hank Davis is one of the few guys who really gets it."

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    • Library Journal

      June 1, 2023

      Journalist, psychologist, and occasional guitarist Davis (Caveman Logic) turns cultural archaeologist as he catalogues, compares, and unearths information about composers, musicians, and singers associated with the varied melodious genres of the ostensibly proper, although surreptitiously subversive 1950s. Benefitting from the contributions of diverse demographic groups, midcentury musical forms in the United States consisted of bebop, blues, country, doo-wop, folk, jazz, pop, rock and roll, rockabilly, and novelty tunes such as "The Chipmunk Song" and "The Purple People Eater." Davis uses interviews and his friendships with many of the artists to combine personal accounts and critical evaluations into a fascinating narrative. His focus is on lesser-known participants and on disabusing commonly held beliefs. He asserts that many people covered others' works without attribution; that there is no one answer for what was the first rock 'n' roll song; that sexual innuendo pervaded many lyrics; and that the ever-popular "Unchained Melody" originated as a 1955 Oscar-nominated song about prisons. Davis advises readers to enhance their knowledge by playing the original recordings that are now available on YouTube or other streaming platforms. VERDICT A captivating and surprising overview of the 1950s music scene.--Frederick J. Augustyn Jr.

      Copyright 2023 Library Journal, LLC Used with permission.

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  • English

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