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Oscar Hammerstein II and the Invention of the Musical

ebook
3 of 3 copies available
3 of 3 copies available
A new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Diving deep into Hammerstein's life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poor, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day.
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    • Library Journal

      December 1, 2022

      Longtime theater critic/Los Angeles Review of Books founding editor Winer's exceptional research into the life and works of Oscar Hammerstein II (1895-1960) follows his evolution from optimistic lyricist to committed activist, whose works reflected his personal relationships and visions of the world. Best known for successful productions starting with the controversial Show Boat to his extraordinary collaborations with Richard Rodgers (Carousel; South Pacific; The Sound of Music), Hammerstein created the musical play in which his lyrics took precedence. Winer utilizes thousands of personal letters and interviews with those closest to Hammerstein to reveal his muses. His idealization of his mother inspired the creation of women characters who could do no wrong; they dominated his productions. His ex-wife's alleged pessimism formed his belief that a positive attitude controls one's destiny. His overwhelming love for his second wife made him (in Winer's words) "a poet of the anticipation of joy." While Hammerstein frequently failed to share profits or credit with collaborators, Winer argues that his works paved the way for civil-rights legislation, and his mentorship of a young Stephen Sondheim ensured more musical masterpieces. VERDICT Winer's exploration of Hammerstein's journey is timely, respectful, and deserving of inclusion in strong performing arts collections.--Lisa Henry

      Copyright 2022 Library Journal, LLC Used with permission.

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  • English

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