说到散文,我比较赞同国学大师季羡林老先生的观点,要么不重结构与布局,信笔写来,闲闲散散,要么就严格谋篇布局,炼字铸句,正儿八经。如果既想着闲散,又想着严谨,只会落到一个"四不像"的地步。红叶作为一个女性作家,她的散文显然属于前者,只不过,在闲散的背后,又多了一丝禅意,或许,这正是她现阶段生活状态的一种写照吧。(Speaking of essays, I quite agree with the masters of ancient Chinese learning Jiuxianlin Lao's point of view, either without emphasis on the structure and layout, writing in letters and pen, casual scattered, or strictly seek the layout of the article, refining the word casting, is erudite. If you think about being idle and thinking about rigor, you will only fall into the category of "four noes." Hongye as a female writer, her essay apparently belonged to the former. However, behind the idleness, she added a touch of Zen. Perhaps this is just a portrayal of her current state of life.)
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