March 1, 2017
Gr 4-6-Sidney loves working behind the scenes at the Juicebox, the local children's theater, but when the Juicebox faces financial difficulties, Sidney and his friends try to find a way to keep the lights on. Initial ideas such as a karaoke machine, a variety show, and better concessions don't do the trick. A fortuitous coincidence provides the kids with the material to blackmail a local businessman. Can they take the high road and still save their beloved theater, or will they stoop to unsavory means? None of the characters are particularly fleshed out, and several secondary characters serve the plot only once and are not brought up again, making them difficult to place in the story. The narrative races around several unlikely scenarios that will keep readers laughing and guessing until the improbable conclusion. There's plenty of fun to be had in this tale, if not cohesion. Still, readers with an affinity for theater may enjoy this peppy outing. VERDICT An additional purchase where books such as Andrew Keenan-Bolger and Kate Wetherhead's "Jack & Louisa" series and Tim Federle's Better Nate Than Ever fly off the shelves.-Misti Tidman, Mansfield/Richland County Public Library, OH
Copyright 2017 School Library Journal, LLC Used with permission.
February 1, 2017
"Catastrophe is the soul of the theater" in Donnelly's middle-grade debut. Sid is a precocious young white boy from the Florida Panhandle trying to rescue his beloved children's theater, the Juicebox. He brings his best friend, Folly, an African-American boy who is the type of kid who can "sell sharks to the ocean" and "says wearing a bow tie reminds him of his life's purpose," along for the ride. In cahoots with the boys is Juicebox newcomer Jelly Baby, a Cuban-American puppeteer whose real name is Juliana. When Folly's newest business scheme accidentally lands sensitive documents in their laps, the kids think they have just the ticket to secure the funds the theater needs to stay open. Chapters are written in prose but presented as a script with act and scene designations, a clever choice in theory but that in practice is often confusing, especially when the act and scene order are rebooted awkwardly just as the climax nears. The climax itself is reminiscent of Scooby Doo, as the meddling kids improbably catch the bad guy and manage to save the theater in a foregone but unlikely conclusion that may test even the most credulous readers. Despite this, Sid's first-person, fourth-wall-breaking narration, full of amusing similes and asides, carries the day. Conspiratorial theatrics and all-around good fun. (Fiction. 9-12)
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March 1, 2017
Grades 3-6 Sidney Horatio Camazzola has always been more comfortable in the director's chair than onstage (he likes being able to see the whole picture). The local children's theater in his Florida town, the Juicebox, is a haven for Sidney (who works in props) and for his money-obsessed best friend, Folly (who works at the concession stand, obviously). It's even beloved by Sidney's prickly older sister, May, who, as even Sidney observes, can sing the heck out of anything. But when the theater runs into some financial troubles and is set to close, Sidney takes it upon himself to save it. Assisted by Folly's business sense ( Folly probably sleeps on balance sheets ), his own organizational skills, and one determined diva in particular, Sidney sets out to direct the scheme of the century and save the theaterand the day. Full of quirky fun, this middle-grade debut is given a three-act structure and peppered with witty asides and comments from Sidney about the process of theater making. An ideal introduction for budding thespians.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)
July 1, 2017
WannabeBroadway director Sidney and his business-obsessed best friend, Folly, are desperate to save the local Juicebox Theater. Written in a convoluted mash-up of first-person narrative and script format, the story is hampered by too many didactic explanations of theater and business terms. The outcome--that they save the theater--is stated at the start, removing nearly all the suspense from the thin plot.
(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)