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I Blame Dennis Hopper

And Other Stories from a Life Lived In and Out of the Movies

Audiobook
2 of 3 copies available
2 of 3 copies available
In 1969 Illeana Douglas's parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words "That's what it's all about man" to heart, they abandoned their comfortable upper-middle-class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it."
I Blame Dennis Hopper is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor—two-time Academy Award–winning actor Melvyn Douglas—to the moment she was discovered by Martin Scorsese, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award-winning writer, director, and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking.
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    • Publisher's Weekly

      November 9, 2015
      Actress and director Douglas's memoir is an enjoyable down a star-studded memory lane, buoyed by her easy charm and genuine love of all things cinematic. Growing up in Connecticut with parents who took Easy Rider's approach to 1960s counterculture a little too literallyâher father started his own communeâDouglas always knew she wanted a life in the movies. The granddaughter of two-time Oscar-winner Melvyn Douglas once took a young Illeana to the set of Being There and introduced to one of her idols, Peter Sellers, thus cementing her Hollywood dream. Douglas worked her way up from waitressing at a dinner theater to acting school in New York, and thence to working for famed publicist Peggy Siegal. This led to a chance encounter with Martin Scorsese, who would direct her in several of his pictures, including in a particularly memorable scene of his Cape Fear remake in which Robert de Niro's Max Cady gnaws off her face; Douglas and Scorsese were also in a romantic relationship for a decade. Douglas recounts, with equal parts humor and heart, her experiences on films such as Goodfellas, Alive (for which the cast virtually recreated a plane crash high in the Canadian Rockies), and To Die For. She also mentions several friendships, both brief and long-term, with luminaries like Roddy McDowell and Marlon Brando. Douglas nimbly avoids the celebrity tell-all pitfall of unrelieved namedropping by imbuing her debut with an earnest, undeniable passion for movies and the people who make them.

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  • English

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