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The Shooting of Rabbit Wells

A White Cop, a Young Man of Color, and an American Tragedy; with a New Introduction by the Author

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1 of 1 copy available
What put a white cop and a black youth on a tragic collision course? This moving account is more timely than ever.
On a frigid winter's night in 1973, William “Rabbit" Wells, a young man of mixed race, was shot and killed by a white policeman named William Sorgie outside a bar in Bernardsville, New Jersey. The shooting, later ruled an accident, stunned local residents and the nation.
For thirty years, author William Loizeaux, who went to high school with Rabbit, hasn't been able to forget what happened. With clear-eyed compassion and unsparing honesty, The Shooting of Rabbit Wells re-creates the lives of both victim and killer, and the forces that brought them together. At the story's center is Rabbit Wells himself. Part African-American, part Cherokee, part white, Rabbit never knew his father and was neglected by his mother. Here is a memoir, a biography, and the story of a writer's search for the scattered remains of a catastrophe. A stirring and powerful document, it is also a work of terrible beauty: by giving us the life of Rabbit Wells, Loizeaux makes us understand—and feel—how unacceptable and irreparable the loss was, and how deeply the bullet that killed him is lodged in the American identity.
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    • Publisher's Weekly

      December 1, 1997
      Rabbit Wells was a mixed-race, 21-year-old bystander at a bar fight in 1973 when he was shot and killed by a police officer in Bernardsville, N.J. Loizeaux (Anna: A Daughter's Life), a high-school classmate of Wells, has since come to see the event as an allegory for America's struggle with race issues. By conferring "American tragedy" status on a long-forgotten, local incident and a life that was "neither celebrated nor well-documented," Loizeaux announces a scale his writing never approaches. Wells's death certainly was tragic, but Loizeaux's insistence on "imagining" many details of the story (his attempts at research turned up few hard facts) is slipshod at best. Loizeaux at times substitutes mawkish sentimentality based on his own childhood memories. When interview subjects cast events and feelings in ways that fail to match his expectations, Loizeaux concludes that his subjects are probably repressing difficult truths and so creates his own interpretations of their words and emotions. The result is an unreliable account of a shooting that was probably not racially motivated and that was most likely only a hideous mistake.

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  • English

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