Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Cast of Characters

Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker

Audiobook
2 of 2 copies available
2 of 2 copies available

The professional and personal lives of the pioneers of an enduring magazine, the New Yorker

From its birth in 1925 to the early days of the Cold War, the New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant, writers and editors.

He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine. We meet the demanding and eccentric founding editor Harold Ross, who would routinely tell his underlings, "I'm firing you because you are not a genius," and who once mailed a pair of his underwear to Walter Winchell, who had accused him of preferring to go bare-bottomed under his slacks. Joining the cast are the mercurial, blind James Thurber, a brilliant cartoonist and wildly inventive fabulist; and the enigmatic E. B. White—an incomparable prose stylist and Ross' favorite son—who married the New Yorker's formidable fiction editor, Katharine Angell. Then there is the dashing St. Clair McKelway, who was married five times and claimed to have no fewer than twelve personalities, but was nonetheless a superb reporter and managing editor alike. Many of these characters became legends in their own right, but Vinciguerra also shows how, as a group, the New Yorker's inner circle brought forth a profound transformation in how life was perceived, interpreted, written about, and published in America.

Cast of Characters may be the most revealing―and entertaining―book yet about the unique personalities who built what Ross called not a magazine but a "movement."

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • AudioFile Magazine
      This graceful group memoir of the eccentrics and geniuses who created the NEW YORKER magazine will charm anyone who cares about the lives and times of the likes of E.B. White, Wolcott Gibbs, James Thurber, and John O'Hara. Or about Harold Ross himself, the magazine's feud with Henry Luce, and the evolution of the magazine so many have found indispensable. The material is entertaining, and, amazingly, much of it will be fresh, even to die-hard fans. Regrettably, this production is far from impeccable; Ross would have returned it marked "Fix." There are misreadings ("On first looking into Chapman's Honor"?) and mispronunciations (Wanger, Cerf, and many more), but Tony Pasqualini's apparent affection for the material and his enthusiasm and pacing make this a delightful listen anyway. B.G. © AudioFile 2016, Portland, Maine
    • Publisher's Weekly

      July 27, 2015
      Vinciguerra’s (Backward Ran Sentences) sprawling history of the New Yorker’s early luminaries captures the eccentricities and idiosyncrasies of its editors and writers—Wolcott Gibbs, E.B. White, and James Thurber, as well as founder Harold Ross and various other “fabled oddballs.” Created to provide “smart, urbane journalism,” the magazine quickly became noted for its sharp editing, rigorous fact-checking, and witty cartoons. Ross and Gibbs, the New Yorker’s theater critic, were chiefly responsible for its success, as Vinciguerra painstakingly demonstrates. Anecdotes about fact-checking a story on Walter Winchell or a parody of Time demonstrate how reputations were built—and undone. The most amusing sections focus on the writers’ wit, office romances, and sometimes outrageous behavior, such as Gibbs’s penchant for getting drunk before attending plays he was reviewing. There are also more serious passages, such as a discussion of WWII’s effect on the magazine’s writers, editors, and content, culminating with the landmark publication of John Hersey’s Hiroshima in its entirety in the New Yorker, before its appearance as a book. But in general, Vinciguerra’s tone is more nostalgic than elegiac, and for that reason his book, while slow-going at times, will be embraced by faithful New Yorker readers. 8 pages of illus. Agent: Glen Hartley, Writer’s Representatives.

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading