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No Sweetness Here

ebook
From the author of Changes: these stories “of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety” (Chimamanda Ngozi Adichi).
 
In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple’s only child dies of a snake bite.
 
In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and “even at her gravest, Miss Aidoo writes with a sunny charm” (The New York Times).

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Publisher: The Feminist Press at CUNY

Kindle Book

  • Release date: April 25, 2015

OverDrive Read

  • ISBN: 9781558619166
  • File size: 816 KB
  • Release date: April 25, 2015

EPUB ebook

  • ISBN: 9781558619166
  • File size: 992 KB
  • Release date: April 25, 2015

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Formats

Kindle Book
OverDrive Read
EPUB ebook

Languages

English

From the author of Changes: these stories “of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety” (Chimamanda Ngozi Adichi).
 
In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple’s only child dies of a snake bite.
 
In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and “even at her gravest, Miss Aidoo writes with a sunny charm” (The New York Times).

Expand title description text