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After Birth

Audiobook
1 of 1 copy available
1 of 1 copy available

A widely acclaimed young writer's fierce new novel, in which childbirth and new motherhood are as high stakes a proving ground as any combat zone

A year has passed since Ari gave birth to Walker, though it went so badly awry she has trouble calling it "birth" to begin with and she still can't locate herself in her own altered universe. Amid the strange, disjointed rhythms of her days and nights and another impending winter in upstate New York, Ari is a tree without roots, struggling to keep her branches aloft.

When Mina, a one-time cult musician—older, self-contained, alone, and nine months pregnant—moves to town, Ari sees the possibility of a new friend, despite her unfortunate habit of generally mistrusting women. Soon they become comrades in arms, and the previously hostile terrain seems almost navigable.

With piercing insight, purifying anger, and outrageous humor, Elisa Albert issues a wake-up call to a culture that turns its new mothers into exiles and expects them to act like natives. Like Lionel Shriver's We Need to Talk about Kevin and Anne Enright's The Gathering, this is a daring and resonant novel from one of our most visceral writers.

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    • Publisher's Weekly

      September 15, 2014
      Albert (The Book of Dahlia) applies a blistering tone to modern motherhood in this cri de coeur of a novel. Six-months-pregnant Ari couldn’t wait to leave Brooklyn for the faded glory of Utrecht, N.Y., and its affordable four-bedroom Italianate with her supportive professor husband, Paul, 15 years her senior. Now, Ari has one-year-old Walker, a C-section scar, and an unfinished dissertation in women’s studies. Faculty life isn’t the “deranged orgiastic laser show” she dreamed it would be. About the women in her C-section support group she says, “A chore, trying to talk to these women.” So Ari pins her hopes for friendship and connection on Mina Morris, former bass player for the Misogynists, a late-’80s all-girl band. Mina is now a poet who is subletting from Ari’s friends while they’re on sabbatical. Into this thinly plotted story, Albert interweaves insightful portraits of Ari’s extended family, childhood friends, and frenemies. Our sarcastic and self-aware heroine never spares us her anger, her epic takedowns (“It had an addictive flavor, hating her”), and her attempts to parse her own internalized misogyny. In lesser hands, Ari might be unlikable, but Albert imbues her with searing honesty and dark humor, and the result is a fascinating protagonist for this rich novel.

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