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The Rise & Fall of the Scandamerican Domestic

Stories

ebook
1 of 1 copy available
1 of 1 copy available

Christopher Merkner is a Shirley Jackson for the contemporary Midwest, where the ties of family and community intersect darkly with suburban American life. In these stories, an enraged village gaslights unsuspecting vacationers and a young man delays a impending confession, fondling the nostrils of his mother's pet pig. Sharp and uneasy, for these inheritors of tradition, that which binds them most closely—offering stability and identity and comfort—are precisely the qualities that set them back, pull them down, burden, limit, and ruin them.


"Merkner's first short story collection provides a voyeuristic vantage point on fractured lives. He has the striking ability to turn the familiar into the uncanny and morph the comfortable into the weird, and, clearly,
he's at home in that strange realm. In most of the stories, we witness lives at the moment an individual's identity begins to fray, sometimes slowly and sometimes swiftly. These changes are both painful and thought provoking to witness through the book's unrelenting first-person perspective. At times Merkner's prose evokes unease, but more often it encourages a chuckle, and his plot twists will leave even the most seasoned reader surprised. In each story, even those that only run for three pages, the tension mounts deliciously, many times with no foreseeable relief. The true beauty of these tales lies in their delicate endings, which manage to both tie up loose ends and leave everything hanging, so that they are simultaneously satisfying and mysterious. Such complexity makes great reading for lovers of short fiction, and for all who wish to witness a new master at work."—Booklist

Christopher Merkner teaches creative writing at West Chester University. His work has appeared in Black Warrior Review, Cincinnati Review, Fairy Tale Review, Gettysburg Review, New Orleans Review, and Best American Mystery Stories. He and his wife and kids live in West Chester, Pennsylvania.

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    • Publisher's Weekly

      August 5, 2013
      Absurdity and surrealism rule in Merkner’s debut collection, which is set in a place where men fall in love with pigs, parents viscerally battle over the idea of violence, and townsfolk go to extremes to drive unwanted families from their neighborhoods. Sweden lingers in the background of the volume’s 17 stories, and often protagonists are fathers of young children. In “O Sweet One in the Bluff,” a man who finds it physically impossible to speak to his daughter travels with her to “the only mountain in Wisconsin,” while a hit-and-run in “Local Accident” sparks memories of other accidents—from the physical (hitting someone with an automobile) to the emotional (an unfortunate bout of trash talking between father and son that leads to an odd reconciliation in the bread aisle of a grocery store). Merkner’s narratives pulsate with confidence, mixing the weird (a five-year-old the size of a 15-year-old, a couple that paints an entire house one color) with moments of earnestness, and the result is a memorable book. Still, mixed within the collection are several microfictions that, while continuing to amp up the bizarre, fail to fully resonate.

    • Kirkus

      October 15, 2013
      Seventeen absurdist short stories from the land of the midnight sun. It's not clear whether this debut collection of Swedish-influenced short fiction from Merkner (Creative Writing/West Chester University) is meant to be parody, collage or dream diary, but all the stories are either weighty with loquaciousness or viciously abridged, which is often for the better. After opening with a long-winded farce about a pig, Merkner offers "Check the Baby," about a man and his wife who have resorted to trading sexual favors for the right not to check on their newborn. "The stakes are not low, I might add," he writes. "I have 4,027 blowjobs coming my way someday, it's not exactly clear when, and my wife has roughly fourteen hours of French-style kissing." "Local Accident" (widely available online if you need a sample) is about a woman whose hit-and-run accident causes her to lose her baby: "The fact is you don't always choose your choices. You don't always choose your victims and you don't always choose your witnesses. That's why we call them accidents." Several stories concern themselves with the trials of parenthood, notably "When our Son, 26, Brings us His First Girlfriend" and "When our Son, 36, Asks us for What He Calls a Small Loan." Other stories are about those things that divide us--the mute father in "O Sweet One in the Bluff" or the divorce in "Cabins," who discovers that he is not alone in his lonesomeness. Others are variations on long-held myths, like the title character of "The Cook at Swedish Castle." The author clearly has some kind of affection for his oversized caricatures, and there are moments of humor throughout, but there's a great deal of cynicism at play, too. Very literary, highly experimental and not very interesting to read all in a row.

      COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      February 1, 2014

      In his debut collection, Merkner presents a darkly funny set of stories that look closely at heartland American culture and reflect it back with devastating accuracy. In "Time in Normallstorg," for example, violent war games at a child's birthday party are not only condoned but encouraged as a means to develop the killer spirit from an early age, and the one parent who complains gets beaten up (and more) by the party's adult hosts. In "Last Cottage," the permanent residents of a community doggedly work together to banish the last family from their lakeside vacation home by any means (including massive killing of fish) for the sake of commercial development. But they are perplexed by the resilient cheerfulness of the seasonal visitors, which runs counter to their inbred "Scandamerican" work ethic. VERDICT Merkner's relentlessly deadpan reportorial voice is not so different from that of Garrison Keillor (Lake Wobegon Days) or the Coen brothers (Fargo). Going in unexpected directions that evoke both laughter and horror, these stories will appeal to readers who are willing to give in to their sense of the absurd.--Sue Russell, Bryn Mawr, PA

      Copyright 2014 Library Journal, LLC Used with permission.

    • Booklist

      November 15, 2013
      Merkner's first short story collection provides a voyeuristic vantage point on fractured lives. He has the striking ability to turn the familiar into the uncanny and morph the comfortable into the weird, and, clearly, he's at home in that strange realm. In most of the stories, we witness lives at the moment an individual's identity begins to fray, sometimes slowly and sometimes swiftly. These changes are both painful and thought provoking to witness through the book's unrelenting first-person perspective. At times Merkner's prose evokes unease, but more often it encourages a chuckle, and his plot twists will leave even the most seasoned reader surprised. In each story, even those that only run for three pages, the tension mounts deliciously, many times with no foreseeable relief. The true beauty of these tales lies in their delicate endings, which manage to both tie up loose ends and leave everything hanging, so that they are simultaneously satisfying and mysterious. Such complexity makes great reading for lovers of short fiction, and for all who wish to witness a new master at work.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

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