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Dance for Export

Cultural Diplomacy and the Cold War

ebook
2 of 2 copies available
2 of 2 copies available
<P>At the height of the Cold War in 1954, President Eisenhower inaugurated a program of cultural exchange that sent American dancers and other artists to political "hot spots" overseas. This peacetime gambit by a warrior hero was a resounding success.</P><P>Among the artists chosen for international duty were José Limón, who led his company on the first government-sponsored tour of South America; Martha Graham, whose famed ensemble crisscrossed southeast Asia; Alvin Ailey, whose company brought audiences to their feet throughout the South Pacific; and George Balanchine, whose New York City Ballet crowned its triumphant visits to Western Europe and Japan with an epoch-making tour of the Soviet Union in 1962. The success of Eisenhower's program of cultural export led directly to the creation of the National Endowment for the Arts and Washington's Kennedy Center.</P><P>Naima Prevots draws on an array of previously unexamined sources, including formerly classified State Department documents, congressional committee hearings, and the minutes of the Dance Panel, to reveal the inner workings of "Eisenhower's Program," the complex set of political, fiscal, and artistic interests that shaped it, and the ever-uneasy relationship between government and the arts in the US.</P><P>CONTRIBUTORS: Eric Foner.</P>
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    • Library Journal

      September 1, 1999
      Prevots (dance, American Univ.) has mined many previously unexamined resources in her study of the relationship between government and the arts during the 1950s. In order to strengthen strained relations with Cold War enemies, President Eisenhower initiated a program of cultural exchange. Prevots emphasizes the dance programs that were exported and reconstructs a history that takes the reader behind the scenes to congressional hearings and Dance Panel committee meetings. Her study reveals the selection and funding processes in this country and the reception and difficulties facing by touring companies like Martha Graham and the New York City Ballet when abroad. Since the success of Eisenhower's program eventually led to the creation of the National Endowment for the Arts, this volume is interesting reading in this time of severe cutbacks. The subject and academic tone, however, insure that the largest audience will be found among dance scholars and historians.--Joan Stahl, National Museum of American Art, Washington, DC

      Copyright 1999 Library Journal, LLC Used with permission.

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