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3 of 4 copies available
3 of 4 copies available

STEEL-NERVED MASTER THIEF. PARKER, HAS HIS EYES ON A FAT PRIZE.

THE PRIZE—a slow stuffed with money—a gambling casino on the Hudson River. It is not in Parker's nature to gamble, so he leaves nothing to chance. From the phony politician to the getaway boat, from bringing guns on board to getting the money off, Parker has it all planned. There are only a few problems...

The guy who tipped off Parker is a bureaucrat with a moral streak; the guy who's steering the getaway boat has unsavory friends with plenty of guns; and a reporter on the casino has enough sense to know that something isn't quite right. Suddenly, Parker's surefire plan is blowing up like fireworks on the Fourth—only these blow-ups kill people. With his luck going south, and no one left to trust but himself, Parkers must do what he does best: punch, claw, and kill his way out of the night.

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    • Publisher's Weekly

      September 28, 1998
      Stark is, of course, a pen name used by Donald E. Westlake, and Parker is his very tough protagonist--last seen, after a 20-year absence, in Comeback (1997). Parker is a hard-nosed crook indeed, quite unlike the giddy opportunists who often brighten Westlake's lighter tales. He is serious about his business, and anyone who tries to cross him--as several people do in this dark tale of piracy on the Hudson River--is likely to end up perforated. Parker's game plan this time is to rob a floating casino being tried out on the Albany-Poughkeepsie run in upstate New York. His informant is odd (an apparently upright state pol turning to crime in his old age), but Parker goes ahead anyway and puts together a gang with an ingenious plan to smuggle guns aboard the high-security boat and get the money off it. It seems to work, but more people know about his scheme than Parker could ever have realized, and at the end there's a great deal of bloody cleaning up to do. Stark's narration is deadpan tough, full of hard, realistic detail about places and people and with just enough salty dialogue to move things along briskly ("`We live and learn, Ray,' Parker said, and shot him"). No need to lament a golden age of hard-boiled writing; it's right here, now.

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