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I, Lucifer

Finally, the Other Side of the Story

ebook
2 of 2 copies available
2 of 2 copies available
“A fiendishly sharp, intelligent examination of modern human life that is as funny as hell.” —The Times (London)
 
The end is nigh and the Prince of Darkness has just been offered one hell of a deal: reentry into Heaven for eternity—if he can live out a well-behaved life in a human body on earth. It’s the ultimate case of trying without buying and, despite the limitations of the human body in question (previous owner one suicidally unsuccessful writer, Declan Gunn), Luce seizes the opportunity to run riot through the realm of the senses. This is his chance to straighten the biblical record (Adam, it’s hinted, was a misguided variation on the Eve design), to celebrate his favorite achievements (everything from the Inquisition to Elton John), and, most important, to get Julia Roberts attached to his screenplay. But the experience of walking among us isn’t what His Majesty expected: instead of teaching us what it’s like to be him, Lucifer finds himself understanding what it’s like to be us.
 
By an author hailed by the Times Literary Supplement as one of Britain’s top twenty young novelists, I, Lucifer is “a masterpiece . . . startlingly witty, original and beautifully written” (Good Book Guide).
 
“Duncan’s witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed.” —Booklist
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    • Publisher's Weekly

      May 19, 2003
      In Paradise Lost, Milton set out to "justifie the wayes of God to men." In this novel, British author Duncan (Hope; Love Remains) attempts to justify the ways of Satan to the hip. God gives his evil subaltern a month in a human body, with an option to own, thus permanently casting off his pain-racked cosmological being. The grim alternative for Lucifer is to subsist in eternal nothingness. The vacant body belongs to Declan Gunn, a writer on the brink of suicide. Lucifer narrates his romps through escort service dates, cocaine-laced nights and, mostly, the thrills of the wondrous human sensorium. Lucifer options his life story—from his starring role with Adam and Eve to his struggles with an autocratic God—to a film producer and torments Declan's lover, Viola, with the promise of a juicy part in the upcoming movie. But for all his jauntiness, Lucifer must unexpectedly wrestle with Gunn's conscience, including Gunn's memories of Penelope, his alternately loathed and longed-for ex. When Lucifer makes the disastrous decision to see Penelope and forgive her for dumping him, he confronts the goodness of mercy, a battle that leaves him sick with nausea and cognitive disorientation. Lucifer tosses wisecracks around as if they were hand grenades. On the wickedness of a rival of Gunn's, he quips, "There's no murder in him, and only a very predictable dribble of lust. His soul, and billions like it, provide the cosmos with its muzak." Alas, Lucifer's wit doesn't often rise to this sharply satiric level: it's more like a series of outtakes from Bedazzled. This is the archetypal promising novel—the author's talent with words eclipses the substance of his story.

    • Library Journal

      April 1, 2003
      Declan Gunn is a sad sack of potatoes. He is fat, balding, and fairly unattractive-and he suffers from God's skimpy allotment to him in the "status of your manhood" department. His bland writing has given the world one novel and another that no one will publish, while his girlfriend (if she can be called that) is only sleeping with him until the nonexistent starring role in the nonexistent movie he is not writing comes through. So is it any wonder that he is sitting in his tiny apartment in a shady part of London deciding to off himself when God finally steps in (with Lucifer in tow). This is where the story, told by Luce himself, gets good. God gives Declan's body to Lucifer to live in on Earth for a month in an attempt to coax the fallen angel back into Heaven. Lucifer, of course, has other plans for what he sees as only a vacation and starts by improving the life of his host body. This captivating and truly clever novel is a real original, so successful in its attempt to humanize Lucifer that the reader actually likes this charming devil. Heavy with biblical references the less religious might miss and laden with crude images and language, this novel is not for those sensitive to these matters, but if you like witty, raunchy British humor, you'll love this.-Rachel Collins, "Library Journal"

      Copyright 2003 Library Journal, LLC Used with permission.

    • Booklist

      May 1, 2003
      Duncan's last novel, " Hope "(1998), was about pornography addiction. Since then, he's apparently found God, or rather, the Devil. His latest novel features the Prince of Darkness incarnate in the body of down-and-out writer Declan Gunn (anagram, anyone?), just about to slit his wrists. The apocalypse looms, and God has offered fallen angel Lucifer a second chance at redemption by enticing him with a month of earthly embodiment--an offer he can't refuse, given his taste for cocaine, sexual mischief, and other evil earthly pleasures. In between acts of debauchery, however, Lucifer/Gunn resurrects his literary career and revels childlike in the Earth's simple offerings: tastes, smells, sunsets, London. He muses theological, contemplating free will and the Fall and thinks about--just maybe--getting back on God's good side. Seduced by our diabolical narrator's wicked humor and Duncan's clever conceit, the novel's Christian redemption moral may catch some readers off guard (wasn't this book supposed to be about evil pleasures?), but they likely won't want to put it down. Duncan's witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)

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