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The Widow of the South

Audiobook
1 of 1 copy available
1 of 1 copy available

In 1894 Carrie McGavock is an old woman who has only her former slave to keep her company...and the almost 1,500 soldiers buried in her backyard. Years before, rather than let someone plow over the field where these young men had been buried, Carrie dug them up and reburied them in her own personal cemetery. Now, as she walks the rows of the dead, an old soldier appears. It is the man she met on the day of the battle that changed everything. The man who came to her house as a wounded soldier and left with her heart. He asks if the cemetery has room for one more.

In an extraordinary debut novel, based on a remarkable true story, Robert Hicks draws an unforgettable, panoramic portrait of a woman who, through love and loss, found a cause. Known throughout the country as "The Widow of the South," Carrie McGavock gave her heart first to a stranger, then to a tract of hallowed ground–and became a symbol of a nation’s soul.

THE WIDOW OF THE SOUTH is a brilliant novel that captures the end of an era, the vast madness of war, and the courage of a remarkable woman to claim life from the grasp of death itself.

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    • AudioFile Magazine
      Paul Boehmer starts this ensemble reading in hushed tones, as if afraid he'll be caught. In short order, it's clear why. While the novel's factual roots--Southerner Carrie McGavock's lifelong devotion to the buried Confederate dead in her plantation's cemetery--are poignant, author Hicks reduces Carrie to a lovesick cipher who meanders through a cliché-riddled romance with a wounded soldier to whom she's inexplicably drawn. The narrators make a valiant effort--Lorna Raver is suitably creaky and drawly, Stephen Hoye does his level best to imbue every sentence he utters with impending doom, and Scott Brick wrangles various soldiers who wander in and out of this audiobook-- but the listener's mind will wander. A.M.D. (c) AudioFile 2006, Portland, Maine
    • Publisher's Weekly

      August 1, 2005
      The grand scale of drama in this Civil War novel that recreates the life of Carrie McGavock, whose Tennessee home became a Confederate hospital and who later tended a massive cemetery in her backyard, feels ready-made for the movies and hearing it read aloud makes that feeling even stronger. The music that swells up under the tense and emotional parts is sometimes a little overblown or sentimental, but it captures the mood and enhances the listening experience. The readers (including Becky Ann Baker, Tom Wopat, David Chandler and Jonathan Davis) use Southern accents strong enough to be authentic but not too thick to be comical. Characters are not read exclusively by one person, and the men are less successful at getting the right tone for the female parts than Baker is when she reads men's parts. Her smart Southern belle voice for Carrie changes wonderfully into a gruff, bitter one to embody Zachariah Cashwell, a Confederate soldier Carrie falls in love with as she nurses him back to health. Extra tracks on the final disc includes an interview with Hicks on his inspiration and writing process; a computer program containing photos, artwork and archival material Hicks used; and an author's note that fills out more of the actual history. Even without accessing these enhancements, though, one quickly gets caught up listening to this sweeping novel.

    • AudioFile Magazine
      A chorus of voices revolves around the Civil War battle that took place in Franklin, Tennessee, and the McGavock home, commandeered as a field hospital for many of the 9,000 casualties. As the property becomes a graveyard, the narratives of soldiers, Carrie McGavock, and the Creole slave Mariah are taken by the four actors. Although clear enough, the performances rarely convey an appropriate sense of time and place. The language, too modern, and the accents, unrealistically refined even when the speech is not, fail to take the listener into the scene. Melodramatic writing is amplified by music that would be at home with a made-for-TV saga. Becky Ann Baker does the best she can with McGavock's angel of death role, but the uneven writing and performances are overall disappointing. R.F.W. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      June 20, 2005
      Hicks's big historical first novel, based on true events in his hometown, follows the saga of Carrie McGavock, a lonely Confederate wife who finds purpose transforming her Tennessee plantation into a hospital and cemetery during the Civil War. Carrie is mourning the death of several of her children, and, in the absence of her husband, has left the care of her house to her capable Creole slave Mariah. Before the 1864 battle of Franklin, Confederate Gen. Nathan Bedford Forrest commandeers her house as a field hospital. In alternating points of view, the battle is recounted by different witnesses, including Union Lt. Nathan Stiles, who watches waves of rebels shot dead, and Confederate Sgt. Zachariah Cashwell, who loses a leg. By the end of the battle, 9,000 soldiers have perished, and thousands of Confederates are buried in a field near the McGavock plantation. Zachariah ends up in Carrie's care at the makeshift hospital, and their rather chaste love forms the emotional pulse of the novel, while Carrie fights to relocate the buried soldiers when her wealthy neighbor threatens to plow up the field after the war. Valiantly, Hicks returns to small, human stories in the midst of an epic catastrophe. Though occasionally overwrought, this impressively researched novel will fascinate aficionados. Agent, Jeff Kleinman. Major ad/promo, 15-city publicity tour.

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