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Losing the Garden

The Story of a Marriage, a Suicide, and a New Life of Self-Discovery

ebook
2 of 2 copies available
2 of 2 copies available

A portrait of an intense and unusual marriage, and an affirmation of life after suicide.

In 1971, Laura and Guy Waterman left New York City for thirty-seven acres in Vermont, where they would live in a hand-built cabin without running water or electricity for the next thirty years. It was a life based largely in the nineteenth century, a life of hauling their own water and growing their own food, of lighting candles in the evening and heating their cabin with wood from the surrounding forest. Combined with the trail tending they did in the alpine zone of the White Mountains and the books they wrote about environmental stewardship, it made for a rewarding, healthy, and fruitful existence. But that was only part of their story. Guy's depression was another part, and his ultimate decision to take his own life on the wintry summit of Mount Lafayette-a decision he made with Laura's support-was the crux, a term climbers use to describe the hardest move on the climb. Being a climber herself, Laura had to confront the crux. This meant taking a close look at Guy's suicide and asking herself a hard question: How, or why, had she come to support the decision of the man she loved? In Losing the Garden, Laura Waterman comes to terms with her husband's long depression and the complex nature of a gifted, humorous man who was driven by obsession, self-absorption, and a strange lack of confidence. Her account of her own marriage, idyllic from the outside but riddled from within, is nonetheless a love story, a portrait of an intense and unusual marriage, and an affirmation of life after loss.

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    • Publisher's Weekly

      February 7, 2005
      On February 6, 2000, naturalist and mountaineer Guy Waterman kissed his wife of nearly 30 years good-bye and left to go die on a snow-covered New Hampshire mountain. It was the defining moment of the Watermans' complex marriage and the culmination of years of Guy's depression. Waterman's memoir is a paean to her husband, a deconstruction of their life together and a reconstruction of her life without him—and yet it never succeeds in making Guy likable. The two met and married in 1971. Drawn to the back-to-the-land movement, they embarked on a life of homesteading. For almost three decades, they lived in Vermont without running water, electricity or telephone. Waterman writes, "This was a life that embraced an extreme," and indeed, many will see the manner in which the Watermans lived, on less than $3,000 a year, lacking health insurance or other amenities, as unnecessarily harsh. Waterman's narrative moves somewhat disjointedly between her own life growing up and the various lives Guy led. It frequently addresses Waterman's conflict in giving herself over to Guy, who, a decade her senior, seems to have been emotionally rent even before they married. This sad, compelling narrative is evocative when discussing life in the wilderness, but less clear when traversing the terrain of the Watermans' marriage and the repercussions of Guy's depression and suicide. Agent, Christina Ward.

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  • English

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