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Write like a Man

Jewish Masculinity and the New York Intellectuals

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How virility and Jewishness became hallmarks of postwar New York's combative intellectual scene
In the years following World War II, the New York intellectuals became some of the most renowned critics and writers in the country. Although mostly male and Jewish, this prominent group also included women and non-Jews. Yet all of its members embraced a secular Jewish machismo that became a defining characteristic of the contemporary experience. Write like a Man examines how the New York intellectuals shared a uniquely American conception of Jewish masculinity that prized verbal confrontation, polemical aggression, and an unflinching style of argumentation.
Ronnie Grinberg paints illuminating portraits of figures such as Norman Mailer, Hannah Arendt, Lionel and Diana Trilling, Mary McCarthy, Norman Podhoretz, Midge Decter, and Irving Howe. She describes how their construction of Jewish masculinity helped to propel the American Jew from outsider to insider even as they clashed over its meaning in a deeply anxious project of self-definition. Along the way, Grinberg sheds light on their fraught encounters with the most contentious issues and ideas of the day, from student radicalism and the civil rights movement to feminism, Freudianism, and neoconservatism.
A spellbinding chronicle of mid-century America, Write like a Man shows how a combative and intellectually grounded vision of Jewish manhood contributed to the masculinization of intellectual life and shaped some of the most important political and cultural debates of the postwar era.

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    • Publisher's Weekly

      February 19, 2024
      Grinberg, a history professor at the University of Oklahoma, debuts with a sophisticated exploration of how literary critic Irving Howe, magazine editor Norman Podhoretz, and others of their New York City milieu forged a “secular Jewish masculinity” in the mid-20th century. “Masculinity and Jewishness were linked in the minds of the New York intellectuals,” Grinberg contends, suggesting that her subjects viewed “verbal combativeness, polemical aggression, and an unflinching style of argumentation” as hallmarks of what it meant to “write like a man.” That outlook was a radical departure from the past, Grinberg argues, pointing out that bookish Jewish men were previously associated with the “softer, antimacho” Talmudic scholar stereotype. Grinberg traces the emergence of the new masculine ethos through profiles of Howe and Podhoretz, the latter of whom she suggests drifted to the political right in the 1970s and ’80s as an attempt to embody the “toughness” of conservatism. Grinberg also studies how macho values affected women intellectuals, positing that the aggression with which critic Diana Trilling denounced communism convinced her male peers to take her seriously. The portraits are perceptive and the cultural and historical background highlights how New York’s mid-century intellectual scene negotiated new understandings of and relationships to gender. It’s an enlightening look at an influential literary coterie. Photos.

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  • English

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